The NF File - CLOUDS
Ever heard an NF song and wondered, how can I make something like that?
Well, now you know the answer.
Ever heard an NF song and wondered, how can I make something like that?
Well, now you know the answer.
Ever heard an NF song and wondered, how can I make something like that?
Well, now you know the answer.
Exact contents of the file:
THIS FILE CONTAINS:
1. All loops used in the video + bonuses (15+)
2. All drums used in the video (10+)
3. All one shots used in the video (10+)
4. All main MIDI files used in the video (+10)
5. 10 FLP's
6. Complete E-book including a comprehensive step-by-step explanation of every technique shown in the video.
What's in the E-Book?
This E-book contains a simple and step-by-step explanation if every new technique shown during the video + a few bonus techniques.
Here we cover everything from simple trap melodies to big orchestral instrumentals and how to make them work.
List of tricks explained in the E-book:
LAYERS
How to build a sad chord progression (1)
The 1-6 method
How to make chord progression sound more realistic
The 3rds and strum method
How to make emotional top melodies (2)
playing with silence (1)
LOST
How to add tension to an orchestral instrumental (1)
Big string sample
How to make a simple evil trap melody (1)
Repetition is king
The half-step method
playing with silence (2)
How to add layers to build a massive sound
layering principles (1)
PRIDEFUL
How to manipulate a sample
Sample manipulation (1)
PAID MY DUES
How to make a simple evil trap melody (2)
The 4 note-bar method
How to keep a simple trap beat interesting
playing with silence (3)
CLOUDS
How to add layers to build a massive sound
layering principles (2)
How to add tension to an orchestral instrumental (2)
The Big Choir method
THAT’S A JOKE
How to manipulate a sample
Sample manipulation (2)
STORY
How to build a sad chord progression (2)
Descending progression
JUST LIKE YOU
How to make emotional top melodies (2)
playing with arpeggios
TRUST
How to make realistic sounding string progressions
The 1st and 5th method
How to add tension to an orchestral instrumental (3)
The 3-2-1 method